Jump to content

What Are You Listening To?


khaos

Recommended Posts

4 minutes ago, BlutAusNerd said:

Shadows From the Past doesn't do anything for you?

Sent from my HTCD160LVW using Tapatalk
 

Oddly, no, not much. I like a lot of other stuff that sounds like that album but for some reason I always feel kind of ho-hum when I put it on. Maybe it's harder for me to give it a fair shake because of how much I enjoy NFH.

Link to comment
Share on other sites

They switched to goth rock in the early 2000s, and I agree that their later material isn't that good. I find Shadows of the Past to be pretty nice though
They made the change before then, but even Amok was a pretty big disappointment for me after North From Here. I honestly have no idea why that album gets so much praise.

Sent from my HTCD160LVW using Tapatalk

Link to comment
Share on other sites

Inverloch - Distance | Collapsed

...again. I was never expecting this to even come close to Transcendence Into the Peripheral, and the great thing is that it can still be excellent even though it's nowhere near as good. Then again, what is as good as Transcendence Into the Peripheral?

Sent from my HTCD160LVW using Tapatalk

Link to comment
Share on other sites

20 hours ago, MattCantina said:

They switched to goth rock in the early 2000s, and I agree that their later material isn't that good. I find Shadows of the Past to be pretty nice though

 

17 hours ago, BlutAusNerd said:

They made the change before then, but even Amok was a pretty big disappointment for me after North From Here. I honestly have no idea why that album gets so much praise.

Sent from my HTCD160LVW using Tapatalk
 

I can't stand Ville's vocals. Nothing against our friends here who like him, but I don't get the appeal. I think Amok was the first one of theirs that I heard, and I didn't care for it either. I had written them off completely until a friend made me listen to North From Here when I was in college. 

Link to comment
Share on other sites

I can't stand Ville's vocals. Nothing against our friends here who like him, but I don't get the appeal. I think Amok was the first one of theirs that I heard, and I didn't care for it either. I had written them off completely until a friend made me listen to North From Here when I was in college. 
It's been so long since I've heard their Goth stuff, I honestly can't remember what it sounds like. I just remember it really turning me off.

Sent from my HTCD160LVW using Tapatalk

Link to comment
Share on other sites

18 hours ago, FatherAlabaster said:

 

I can't stand Ville's vocals. Nothing against our friends here who like him, but I don't get the appeal. I think Amok was the first one of theirs that I heard, and I didn't care for it either. I had written them off completely until a friend made me listen to North From Here when I was in college. 

A good old Sentenced discussion again. As is well publicised - by me - I adore 1996-2005 Sentenced to the point where that version of the band would be in my top 20 or so favourite bands of all time. I love Ville's vocals, I love the songwriting by Miika Tenkula who had such a unique way of writing riffs, and I love the lyrical obsession with suicide/depression by Sami Lopakka that sort of offsets the fairly upbeat gothic rock. 

As I might have mentioned elsewhere, I think that 'North From Here' is the odd album out in that it's the most different, so it makes sense in a way that you like that album and not really the others. I'm not a huge fan of 'Amok' either - it's a weird album to get my head around. It's the musical equivalent of that awkward teenage photo where you didn't quite have your image worked out and you end up looking goofy. I really like 'Shadows of the Past' though. 

46 minutes ago, MattCantina said:

Septicflesh - Esoptron

These guys are one of my favourite bands and I own all their albums, but I'd have to say that this is actually my least favourite release by them. It's really thin and confused, especially after the epic debut in 'Mystic Places of Dawn'. 

 

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...