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It is a very well structured album too, with strong song writing that layers tracks up to behemoth size and proportions. Yet at the same time there's a real sense of balance too, for every cavernous and mammoth like structure there's shorter and more intense bursts that whilst moving the pace slightly away from the heaviness, don't distract too much from it. "Paroxsymal" and "Sortilege" are great examples of this, two well placed tracks that add a variety to the pace and increase the memorability of the whole experience.
The album only has two weak points for me. The penultimate track on the record seems just a random and not altogether necessary inclusion, especially given the quality of "Forlorn Burial" before it and the vast ending of "Starless Event Horizon" after it. Secondly, the production does seem to give off a muddled sound on some tracks although the horror of the atmosphere and those lead guitars certainly do rescue the day on more than one occasion. In a year that has struggled overall to bring many standout DM records, "Impetus of Death" will be a welcome addition to any fan's Top 10 DM Albums of 2018 no doubt. It is one of the stronger records of 2018 and also a fine step up from their debut offering also which makes me excited for album number 3.
"I Loved You At Your Darkest" rarely achieves touching distance of the band's previous full length. There's lots of things that stop it from doing this, indeed the list is as long as either one of my lanky and lengthy arms. The songwriting is poor, it lacks any real structure the majority of the time. As a result there is a constant sense of this just being a very hastily written, rush of ideas. Tracks like "If Crucifixion Was Not Enough" and "Ecclesia Diabolica Catholica" show this in abundance, the former nailing the lid down on its own coffin with one of the laziest attempts at a menacing riff I have heard in a while.
When we do actually settle into some sense of structure it actually works well. "Bartzabel" is a sole triumph in the songwriting/structure stakes here and this is almost ruined by the annoying double layered, chanting backing vocals.
Next on my list of grumbles? The sound. It is one of the most sterile and strained sounding mixes I think I have ever heard on a record. The drums sound like they were tracked for a completely different purpose on some of the tracks, "Wolves ov Siberia" and "Rom 5:8" in particular. I can't believe that this was the intended sound the band wanted to achieve. I follow Behemoth on Instagram and they make much majesty and menace over their theatre and general pomp when performing live it seems. Surely then they haven't listened to the final playback of this record?
Now then. I don't recall chanting children on a record ever working well? But there's a couple of tracks here of children chanting their disdain for Christianity alongside Nergal and co. It sounds frankly fucking ridiculous and trite even over only two tracks!
In summary, this is a massive disappointment whether you enjoyed "The Satanist" or not. Hastily put together, poorly arranged and mixed terribly to boot.
It’s a good choice, however, considering that Evergrey and Redemption are strongly reliant on their vocalists to define their sound. The Art of Loss was the band’s most eclectic effort, but Alder’s singing provided the basic foundation that defined it as a Redemption album. Englund could be better off in Redemption, given that Evergrey have been meandering for the last couple releases while the former band have been musically top-notch for most of their oeuvre. Chris Poland, formerly of Megadeth, returns for this album, having appeared on The Art of Loss for a very noticeable shred outing on the title track. He will be joined by Italian guitar veteran Simone Mularoni, of Empyrios and the estimable prog-power heavyweights DGM. Also, after an extensive coma after a 2014 aneurysm (https://www.facebook.com/Bernie-Versailles-379611832240834/), the band’s longtime lead guitarist Bernie Versailles returns to the lineup.
Long Night’s Journey into Day tracklist
1. Eyes You Dare Not Meet in Dreams
2. Someone Else’s Problem
3. The Echo Chamber
5. Indulge in Color
6. Little Men
7. And Yet
8. The Last of Me
9. New Year’s Day
10. Long Night’s Journey into Day
Whilst it can never make the "beast of a DM record" title I would give to the debut or"Legion" for example, "Overtures..." is entertaining. Whether it is the melo-death passages that litter the streets and alleyways of this record or the more familiar sacrilegious blasting fury of Deicide at their (old) best, there's plenty to balance the experince over these 12 tracks. Take "Seal The Tomb" for example, it goes immediately for the jugular, relentlessly chugging riffs alongside Benton's usual demented growls only to be tempered by menacing and interesting leads and sonics that carry the song along well. Listen once to this track and it is in your head for literally days after.
Then there's the vehemence of the lyrics of "Compliments of Christ" were you can feel the spittle from Glen's lips splattering your ears as he spews forth the vitriol he is best known for. "Anointed in Blood" opens like a lead jam session recorded mid flow before developing into a hellish gallop of fiery hooves, again perfectly completed by some well placed and well timed leads.
This is were Morbid Angel went wrong with "Kingdoms..." safe DM with little if any attention paid to the sonic wizardry of their sound. Take a leaf out of Glen's book Trey!
It is clear that this is no nonsense DM that is not out to reinvent any wheels it still has enough equal measure of extremity and assured and unapologetic attitude to hold it's own against most of the DM records released this year. It is not perfect by any means. I lose it on more than one occasion if I am honest ("Crucified Soul of Salvation" in particular hits my 'standby' button really nicely) and it is a couple of tracks too long making for an almost excessive feel to the running time. Whilst it is a well paced record there's definitely some "filler" present. But very any turkeys in here there is still thankfully the brilliance of tracks like "Consumed by Hatred" to snap you back to attention. "Flesh, Power, Dominion" is one of the strongest things Deicide have ever put to tape btw.