Jump to content

*insert greeting*


Avaline

Recommended Posts

Oh come on dive right in. We're a small community but we're plenty friendly...most of the time. Last I checked I was a bloke so unless that magically changes once one has turned 25...

 

Tsk tsk I didn't finish that sentence with the word mate now no one will believe all Australians really do talk like this :D

Link to comment
Share on other sites

Thank you, thats nice! Relevant personal information? Does this forum have a problem with people sharing tmi? :))

It would be cool if you told us a bit about yourself and the music you're into, but you don't have to.

 Last I checked I was a bloke so unless that magically changes once one has turned 25...

You can change anytime you want to, we'll be here for you... Candy Fluffy Bunny Bear. :D 

Link to comment
Share on other sites

Oh ive never seen a kangaroo up close. It would probably kick me for invading their personal space. :/

Thats a hard task Alabaster.

25/f/eu (lets just leave it at EU for now : D), currently finishing my MA (i have a book in front of me but for some curious reason answering this is prior to that : D), interested in every aspect of society, very much a social justice warrior with a specific hate towards nazi, racist types of "people", i listen to pretty much everything, but since this is a metal forum, i prefer..hm hard to tell..i like bm, but i cant enjoy the bad production, so im stuck with just a few bands, i like progressive to the point where clean vocals begin to kill me, love doom if the vocals arent just deep growls all the time, i really enjoy experimental metal bands, love the fusion of different genres.. i dont like brootal death and im not a big fan of heavy... i also listen to nu..i like thrash but newer productions and stronger vocals..weird ha. In short, i like it a bit more complex, with vocals that are either screaming, somewhat deep growling (hmm..Swallow the sun type, not Cannibal corpse type) or cleans that arent..iron maiden typish. : D

Eh, its clearer with bands, randomly from the top of my mind: swallow the sun, anaal nathrakh, alcest, deathspell omega, warbringer, nevermore, agalloch, dark tranquility, ne obliviscaris, biomechanical.. Its just a big mix.

This WAS hard.

Link to comment
Share on other sites

Quite the mix of bands there, I can dig that, I too struggle to name favourite bands. When pushed I'd say Death, Bathory, Type O Negative, Blind Guardian, and Mournful Congregation but that's solely because those are the bands who stand out among the plethora for which multiple albums feature in my collection (I have every Death album, Bathory's first four, 5 TON albums, Blind Guardian's first 4, and aside from their splits everything Mournful Congregation have done). I'm a genres guy really doom is my favourite and particularly funeral doom, black metal second because I've just come off a huge BM binge, death, thrash, folk, power, prog, and traditional metal also appeal to me a lot.

Link to comment
Share on other sites

Thank you Gorbo and Blutausnerd.

Well i cant really stay focused on one genre for a long time, i kind of lose interest when it comes to constant repetition. When bands tend to stick to their genres without even trying to spice things up, it gets boring (for me) and then i just end up listening to a couple of songs from a certain band. Thats why i dont have many favorite bands and i certainly dont know how to name all of their albums and their band members. : D

Link to comment
Share on other sites

Yeah I'm not that devoted to learning band members names outside of my favourite musicians like Chuck Schuldiner and Pete Steele. I either listen to the iPod on shuffle or go album by album most of the time. Right now I'm in a big doom phase so that's all I'm listening to. Fortunately there's plenty of variety in that subgenre - covers everything from Pentagram and Trouble through Katatonia and My Dying Bride to Evoken and Shape Of Despair.

Link to comment
Share on other sites

That's cool. I took a sociology subject as an elective my first year at uni and wrote a paper on the idea of 'compulsory social deviance" - subcultures where the idea of social deviance was not only tolerated but encouraged. My two examples were the jazz culture of the late forties and early fifties where drug use was encouraged and the metal culture where a particular look at odds with social norms, greater tolerance for substance abuse, and occassionally occult practices were/are similarly encouraged. I'm studying law so sociology was a fascinating break.

Link to comment
Share on other sites

That sounds like an interesting paper. Subcultures are in general described as anti-cultures, so i guess some sort of deviance is written in almost every one of them. It just varies on how strong this deviance is or how socially non accepted it is. Through time, almost every subculture was swallowed and embraced by capitalism, so now, it only benefits from the "deviance". It happened with the civil rights movement in the 60s, with hippies, punks, even skinheads. I guess anarchists are the only real resistance. And they basically dont exist.

By the way Shape of Despair are great. Since i like doom, i decided to check them out. But i guess, theyre best listened to when youre in a more melancholy mood.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...