Jump to content

Video: BRIAN MAY Plays Official QUEEN Game


Recommended Posts

In the four-minute clip below, QUEEN guitarist Brian May tests his knowledge of his own band by playing QUEEN's brand new and only official game.The QUEEN game is now available on both the Apple and Google app stores. Solve puzzles, complete trivia and win real-world QUEEN merchandise, all with QUEEN's original music.Queen: Play The Game is QUEEN's first official app and is a digital puzzle and trivia game for smartphones and tablets. With beautiful imagery from QUEEN's official archive, re-sampled sounds from all the hits and many recordings you may not have heard, this is a truly unique QUEEN experience. Test your knowledge of the band, solve puzzles, unlock official artwork, discover new music and win real official QUEEN merchandise.This app contains thousands of images, music clips and facts from the official QUEEN archive. Complete sections of the game and you'll also be entered into competitions to win real-world high-value packs of official QUEEN merchandise. The game runs on both Apple's iOS operating system and Google's Android so most modern smartphone and tablet users will be able to play.This game has everything for the QUEEN fan, young and old and evolves over time with new content and game modes added regularly. How much do you know about QUEEN's; songs, albums, tours, band members, producers, live gigs, studios, history, instruments, tastes etc? Whatever your level of knowledge you are sure to unlock some surprising facts about these most iconic of British rock bands.If you're a casual QUEEN fan, or indeed are just starting on your journey with their music, you will learn more about the band from this game than perhaps anywhere else.If you're already a seasoned expert, well there's an entire expert mode, especially for you. Are you one of the few people on the planet that can complete the whole game on expert, first time through?Queen: Play The Game has been created by SoshiGames of Birmingham in the U.K., a company focused on making games for artists and who worked very closely with QUEEN's official archivist and management team. "It was very important for us to be able to use only official QUEEN imagery and the band's incredible portfolio of music," says Cliff Dennett, CEO of SoshiGames. "We wanted to create an authentic and high-quality experience for the fans, befitting of a band with the stature of QUEEN."Greg Brooks is QUEEN's official archivist and has curated a lot of the content used in the game. Greg remarks: "Queen: Play The Game presents a lot of imagery you may not have encountered before and in brand new puzzle formats. We submitted over 1,400 questions to Soshi, as well as a mass of imagery and they've presented the best of it in an inventive logical way — often in contexts you won't expect."From launch, Queen: Play The Game spans across the history of the band, from the early days and the release of the first album, right up to "Made In Heaven" and the band members' solo projects. The app will grow as well, with new content and gameplay released on a regular basis, offering more ways to explore QUEEN and more ways to win cool official QUEEN prizes.For more information, visit www.queenplaythegame.com.

Read more... then come back and comment below.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...