Jump to content

Albums we like that others may not like.


K4lr

Recommended Posts

What albums do you like that others may not necessarily care for? Here are some of mine. Morbid Angel - Illud Insanus Divinum Nargaroth - Black Metal ist Krieg Mayhem - Ordo Chao Sepultura - Roots Celtic Frost - Cold Lake Burzum - Hildjskalf Samael - eternal and newer Joyless- wisdom and arrogance Mortiis - The smell of rain Graveland- Necromanteion Sent from my iPod touch using Tapatalk

Link to comment
Share on other sites

Iceni' date=' iconoclast gets a score of 81% on metal archives.[/quote'] I said 'people', not Encyclopedia Metallum. I wasn't talking about them so much as Amazon reviews, although I do frequently look on Metal Archives. One album that the Metal Archives folks disliked that I thought was nice was 'Renegade' by HammerFall. It's easily their best album but for some reason it didn't really garner as positive a response as I'd have thought.
Link to comment
Share on other sites

  • 3 years later...
  • 3 years later...

Nokturnal Mortum's "twilightfall". It is so radically different than everything else that they put out, that black metal fans might not like it because it's essentially a doom metal album, but it's high on my list of great albums specifically because it was so different than what they started doing on Lunar Poetry, Goat Horns, To The Gates of Blasphemous Fire, etc.

If you haven't listened to it, I highly recommend giving it a chance even though it's technically a demo (as is Lunar Poetry). You might be surprised by what you hear even if you're not a fan of Nokturnal Mortum's other work.

Link to comment
Share on other sites

I think most black metal fans seems to hate Ulver's "Themes from William Blake", even those that like the current sound of Ulver. I how ever think it's great, definitely the logical end-stop for the avantgarde wave that seemed to possess BM around the 00's (looking at you Arcturus, Ved Buens Ende, Fleurety, Solefald). It doesn't get much more pretentious than Garm citing 19th century poetry, and I love it.

Link to comment
Share on other sites

42 minutes ago, Sheol said:

I think most black metal fans seems to hate Ulver's "Themes from William Blake", even those that like the current sound of Ulver. I how ever think it's great, definitely the logical end-stop for the avantgarde wave that seemed to possess BM around the 00's (looking at you Arcturus, Ved Buens Ende, Fleurety, Solefald). It doesn't get much more pretentious than Garm citing 19th century poetry, and I love it.

Fuckin love that album. Such a unique deconstruction, one of the very few where I feel like I can still hear black metal at its core, instead of just the sounds of black metal being used as window dressing.

Link to comment
Share on other sites

I tried listening to Nattens Madrigal but I wasn't able to really get into it. Never really bothered checking out any other Ulver stuff. I'm more into stuff like Nokturnal Mortum, Emperor, Burzum, Marduk, and Rotting Christ. All popular stuff, I'm well aware, but I've had so many black metal CDs in my life that were mediocre at best so now I only buy the top shelf stuff that I'm doing the vinyl thing.

Link to comment
Share on other sites

7 minutes ago, NokturnalBoredom said:

I tried listening to Nattens Madrigal but I wasn't able to really get into it. Never really bothered checking out any other Ulver stuff. I'm more into stuff like Nokturnal Mortum, Emperor, Burzum, Marduk, and Rotting Christ. All popular stuff, I'm well aware, but I've had so many black metal CDs in my life that were mediocre at best so now I only buy the top shelf stuff that I'm doing the vinyl thing.

Don't give up on Ulver without checking out Bergtatt, it's still my favorite of theirs. Love the melodies, love the vocals. They never put out anything else quite like it, which I guess could be said for any of their first four albums.

 

 

I love the opening track but don't judge the whole album by that, it gets more savage later on.

 

Link to comment
Share on other sites

Gorgoroth never really pulled me in either. Immortal was inconsistent IMO, I like some of their albums but don't connect with the band as a whole. Darkthrone I love - got hugely into their first four BM albums (Blaze through Panzerfaust) but also enjoyed several after that and followed them through the mid 2000s. But of all those 2nd wave bands, what I probably still listen to most is the first two Satyricon albums. 

Link to comment
Share on other sites

Some Immortal albums have really good production, other ones have garbage production and that's a problem for me because I'm not really "Kvlt" and don't care at all about having a "necro" sound on the music I buy. I bought vinyl to hear good sound quality (yet still bought Wrath of the Tyrant despite it being engineered awfully... figure that one out if you can)

Link to comment
Share on other sites

Immortal always did have very strange mixing/production choices for their albums. Like their first four albums, with the exception of Abbath's vocals, all almost sound like completely different bands. The mixing on Battles In The North in particular is straight up fucked. And not even in a low-fi "kvlt" sort of way, like the engineer genuinely had no idea what to do kind of way. I still love the first three Immortal albums though, as haphazard as they are.

Link to comment
Share on other sites

  • 1 month later...

Ancient - Mad Grandiose Bloodfiends CD - Heavy Metal Rock

a lot of the black metal elitists like hating on it, but i actually really like this album. it's not a heavy as ancient's first two albums, but i don't mind the tunefulness of it. i don't think black metal needs to be super dark and super aggressive in order to still be good black metal. a good ratio of harsh and clean vocals. it's got a nice classic late '90s melodic/symphonic black metal sound

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...