Jump to content

Equilibrium


orcslayr23

Recommended Posts

Equilibrium is a folk metal band whose lyrics are in German with themes dealing with German folk tales and myths. The vocals are almost exclusively harsh, the songs are often very fast-paced and the supporting string/folk instrument section is very strong. I don't have any of their albums yet but I got the track "Blut Im Auge" a couple years ago on a metal sampler and recently bought "Waldschrein", which is making me want to actually get their albums. The aforementioned song actually inspired me to add some epic strings to a song i'm working on. If that's not worth a buck, what is? Anyways, is anyone else here a fan?

Link to comment
Share on other sites

  • 1 year later...

I think Sagas is probably their best, it's also about as creative as Erdentempel. Turis Fratyr and Rekreatur are less varied but are still pretty good overall. Uns'rer Floten Klang was absolutely wonderful, I'd say it meets the level of Blut Im Auge.

Link to comment
Share on other sites

  • 2 months later...
  • 1 month later...
  • 1 year later...

I've got 'Sagas' and it's very impressive. I think I find the complete German language approach a little alienating. I literally cannot understand a single word that is written anywhere on the package - liner notes, production notes, lyrics, band members. Rather than feeling exotic and fascinating (like black metal in Norwegian used to feel, or Moonsorrow and Finntroll) it seems more alienating and distant. I can't plug into it emotionally. 

Not sure why this is because it's not my normal experience of foreign language music, which I usually love. Strange...

The musical aspect is pretty amazing though and I think they're really underrated. I never see a damn thing of them in mainstream media. 

Link to comment
Share on other sites

  • 2 years later...

NEW Equilibrium (2019)  Vs  OLD Equilibrium (<= 2016):
(this is NOT meant to be an album review... more about highlighting what I think has changed)

So... you know what usually happens to bands that try to "change/reinvent themselves" to gain more sales / capture a "larger" audience?  Yep...afraid we all know the answer there... 

 Since last post here was 2016, Equilibrium has released it's newest album "Renegades" (2019).  ... and like I hinted they more/less have changed their sound by gaining a new KEYBOARD player (kinda gives it an electronica sound to me)  & new BASS player whom sings the chorus lines in ENGLISH. Giving it more of a power ballad feel at times (old Equilibrium as you'll read above was almost entirely all sung in German)... some of it is catchy...at least their original singer, Robert Robse Dahn, is still belting out his scowling vocals at times, which has been dramatically reduced so they can "refine and expand their sound" to include more English.  After listening into just the first several songs I'm questioning whether this shouldn't be reclassified as potentially considering it to be "Folk Industrial"  or "Folk Nu-Metal" even!  (I'm surely no expert on sub-genres)  Sure there's a couple tracks that you'd say "no par9noid, you idiot, listen they are grinding it"...just wait...the keyboards and chorus will kick in... ?  whomp, whomp, whomp!!!

I'm sure some will find it to be worthwhile - to each his own I certainly mean no disrespect here - in all they are still very musically talented and still carry an important message, no doubt!  I'm just a stickler for having bands keep their roots/original sound especially when you initially like them for being classified for such a specific sub-genre like "Folk Metal".  There's a lot of groups that have evolved into something bigger/stronger... I just can't digest this one tho, personally because it feels like an entirely different style of music that I didn't identify with the band's image/name.

Feel free to comment with any construction criticism you might have against my observations I usually don't like to put myself in this position but sometimes a healthy debate is good for the ol mind!

(YouTube FULL album audio HERE)

Renegades.jpg

If you are like I am and still prefer still their older material  -  DO NOT FEAR!!  par9noid has JUST the fix/band for you!  I'll hopefully figure out where to post it accurately but regardless of where the post will end up, the band I'll mention outside of this thread that's kept to the same feel/sound as early Equilibrium is called "Finsterforst" one of my German friends who lives over near The Black Forest just recently told me about!  PLEASE GIVE THEM A LISTEN - THEY WILL NOT DISAPPOINT!!!

Link to comment
Share on other sites

8 minutes ago, Requiem said:

I decided to check out a new Equilibrium track the other day and it was just terrible!

I couldn’t believe it was the same band. Holy hell. 

....comforting to know it's not just me!!! There's nothing I like worse than putting down a band/musicians.  Check out FINSTERFORST (new post in Folk Metal)... you'll be pleased I hope since I saw you like older Equilibrium! 

Link to comment
Share on other sites

Guest
This topic is now closed to further replies.
  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...