Jump to content

Top 3 albums/eps of the week.


MacabreEternal

Recommended Posts

So where would you recommend I go next with them?
My favorites from Sigh are Hail Horror Hail, which is where they started getting weird, but were still pretty black metal sounding, and the prog epic Imaginary Sonicscape. I also love their debut, which is just great black metal, Scenario IV: Dread Dreams, which is like a whackier Hail Horror Hail, and Hangman's Hymn, which was a bit heavier and more fun than Gallows Gallery. Sent from my HTC PH39100 using Tapatalk 2
Link to comment
Share on other sites

Cheers BAN. Most interested in their BM sounding stuff tbh but that prog epic jumps out also.
That's usually what I gravitate toward as well, but the power of Imaginary Sonicscape can't be denied. My friend Edgar, that doesn't even like prog or avant-garde, had it in a stack of CDs he was looking at at a record store in Vegas, and I made sure he grabbed it. He seemed annoyed at first that it wasn't black metal, but after hearing it a few times, he says he loves it. Sent from my HTC PH39100 using Tapatalk 2
Link to comment
Share on other sites

Sigh "Gallows Gallery" Amorphis "Karellian Isthmus" Edguy "Space Police - Defenders of the Crown" (shut up!):roll:
Karelian Isthmus is one of my all-time favorite albums. Amorphis introduced me to melodic death metal when I was 13 or 14, and they have a special place in my heart despite my low opinion of everything after Tuonela.
Link to comment
Share on other sites

Karelian Isthmus is one of my all-time favorite albums. Amorphis introduced me to melodic death metal when I was 13 or 14' date=' and they have a special place in my heart despite my low opinion of everything after Tuonela.[/quote'] I have had a hard time coming round to it listening at home, but last week I took it on the road with me and I was taken with how it builds and the overall structure of the record as a total package.
Link to comment
Share on other sites

I have had a hard time coming round to it listening at home' date=' but last week I took it on the road with me and I was taken with how it builds and the overall structure of the record as a total package.[/quote'] There was something formulaic about the way albums were arranged back then, but I felt that it was valuable - the obligatory intro, and holdovers from the time limit of older formats, and the necessity of arranging for two sides. I hesitate to say album structure is a "lost art", but older albums usually strike me as being more consciously arranged. New ones tend to feel thrown together haphazardly, by comparison.
Link to comment
Share on other sites

Cripple Bastards « Nero in Metastasi » 2014Hecate Enthroned « Virulent Rapture » 2014Nervosa « Victim Of Yourself » 2014Bonus :Metal Inquistor « Ultima Ratio Regis » 2014
I didn't like Nervosa, they sounded like they were forcing it and trying their hardest to live in other band's shadows, not an uncommon problem with newer thrash bands. How is the new Hecate Enthroned? The last run through I did of their stuff left me uninterested, so I'm thinking of getting rid of most of it, but Redimus seemed to stand out over the rest. Sent from my HTC PH39100 using Tapatalk 2
Link to comment
Share on other sites

I know what you mean about Nervosa....but I don't agree. I mean, at some point an album can be enjoyable and really good to hear even if they don't reinvent the wheel. About Hecate Enthroned I think there is something to dig out of this new album. Don't expect a big difference in the sound. The only thing really hate about about this band is that constant cheezy keyboard in the background. Some band do a great use of the keyboard but in their case it's useless. Envoyé de mon SGH-T999V en utilisant Tapatalk

Link to comment
Share on other sites

Yeah but - in fairness who needs a third with those two? I rarely listen to King C but when I do I am mesmerised everytime. Need to play them more.
You're right! The clarity of the writing on those albums really impresses me. It's like, no matter how odd they get, they carry you along with them. I've listened to a bunch of other stuff lately, but nothing that sticks in my head and keeps me coming back the way those recordings do. I listened to a couple of my favorite Rush albums after blasting Crimson for a few hours, and they sounded like they were playing with kid's toys by comparison.
Link to comment
Share on other sites

I know what you mean about Nervosa....but I don't agree. I mean, at some point an album can be enjoyable and really good to hear even if they don't reinvent the wheel. About Hecate Enthroned I think there is something to dig out of this new album. Don't expect a big difference in the sound. The only thing really hate about about this band is that constant cheezy keyboard in the background. Some band do a great use of the keyboard but in their case it's useless. Envoyé de mon SGH-T999V en utilisant Tapatalk
I listen to plenty of bands that don't reinvent the wheel, but as long as they do it with conviction without sounding like a complete carbon copy of someone else and I like the sound, I'm good. However, conviction and purpose seems to be missing from newer thrash almost completely, with all of the elements seeming to exist more as placeholders to fit in to the genre than something that was actually felt, whether original or not. Many retro bands miss the point entirely, it's not those techniques that propel you aimlessly, it's what motivated the use and structure for those techniques and merits their being there. I definitely hear that with Nervosa, just checking all of the "thrash metal" boxes and riding the trend, but without any kind of drive or purpose, leaving a pretty empty feeling when the songs have concluded. That is not to say that thrash is dead, but most of it that's not fused with black or death metal these days seems to be totally worthless, with the exception of bands like Evil Army, Vektor, Nekromantheon, Antichrist, Deathhammer, etc... Sent from my HTC PH39100 using Tapatalk 2
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...