Jump to content

Top 3 albums/eps of the week.


MacabreEternal

Recommended Posts

Grave Miasma "Exalted Emanations" - following on from my passionate affair with "Realm of Evoked Doom" I have had just as much pleasure this week from this.  Grave Miasma wear their influences on their sleeves' but never do they let them dominate their sound.

Mercyful Fate "Don't Break The Oath" - I don't own this - yet.  I was put onto its scent by Father A in the "..Listening To " thread the other week.  I own other Mercyful Fate records but not this one for some bizarre reason.  YouTube has kept me occupied with this one anyway.

Suffocation "Pierced From Within" - quite simply put this would make my top 3 favourite death metal records of all time.  I love "Effigy of the Forgotten" but this slab of blinding fury brought a certain refinement to the brutality.  I enjoy every minute of this album and have it churning around my brain for days afterwards.

Link to comment
Share on other sites

Three fucking fantastic choices there, Macabre. 

Top spot for me this week goes to Obsequiae - Suspended In The Brume Of Eos. It's rare that I'm drawn back to an album this frequently. I'm not sure why I enjoy it as much as I do. Every song covers pretty similar ground, but on this album it feels consistent rather than repetitious. It's full of great melodies, and even when the songs are predictable, they're predictable in a good way; the transitions always seem to happen at the right time, and every part is allowed to develop. I suppose it helps that they're working with a limited pallette. There's very little here aside from an endless string of melodic sections. What it lacks in innovation, it makes up for in focus. 

Cult Leader - Lightless Walk ...brutally heavy hardcore that reminds me of Converge's "When Forever Comes Crashing", though certainly not as varied. It's the subtle rhythmic variations that keep this album moving. The drummer means business. I saw them play last night and he was phenomenal. 

Cruciamentum - Charnel Passages ...I was initially disappointed, because of the hype surrounding this album, but it's really grown on me. Definite similarities to Grave Miasma, but it's set apart by drier production, less focus on creepy melodies, higher tempos, and a more standard DM vocal approach. 

Link to comment
Share on other sites

Macabre, did you ever get to see Conan? I've never even tried to find video of them playing live, but somehow they are a band that I'd really like to see. My made up impression of them is that they would never leave England. 

Can't go to shows unfortunately. Have a busted right ear drum thanks to a rather nasty infection from years ago. Nowadays can't have headphones on either for the same reason. Imagine they would slay live though. Sent from my HTC One_M8 using Tapatalk
Link to comment
Share on other sites

This is unfortunate. I recall mention of the affliction, but did not recall that it was yours.

Can't go to shows unfortunately. Have a busted right ear drum thanks to a rather nasty infection from years ago. Nowadays can't have headphones on either for the same reason. Imagine they would slay live though. Sent from my HTC One_M8 using Tapatalk

Link to comment
Share on other sites

Temple Of Void "Of Terror and the Supernatural" - one of those albums that slipped into my collection without me noticing.  Saw it as a freebie on Bandcamp one week and downloaded it after one listen and it has taken me all of the last 14 months to give it proper listening time.  It is rare for death/doom to be done this well yet have a real edge to it also.

Deicide "Legion" -  I have a lot of love for "Legion", up until recently I had started to enjoy it more than the self titled (but I have reverted back after a few spins of the latter).  It still is one of the few DM albums that I always find to be memorable.  One spin of "Legion" and it is in my head for days afterwards.  When you wake up hearing Benton in your head screaming "Satan Spawn, The Caco Daemon" you know it is going to be a good day.

Hooded Menace "Darkness Drips Forth" - I like it when an album title delivers what it promises.  Somehow still the drip of darkness soon becomes a fluid mass of lurching death/doom that suffocates you in marauding melodies and at the same time pummels you with crushing riffs galore.  Fucking A!  

Link to comment
Share on other sites

Anata - The Conductor's Departure

Wickedly memorable melodies, excellent songwriting, this is exactly how melodic death metal should be.

 

Dark Tranquillity - The Gallery

More memorable, catchy as hell, melodeath. amazing stuff.

 

Deceased - Supernatural Addiction

Well written thrashy melodeath. That alone would be a big tick but lyrics inspired by horror stories and movies make this all the more enjoyable.

Link to comment
Share on other sites

Vastum "Hole Below" - I am so satisfied by the experience of this album as a whole that I can literally go days without hearing anything else.  I was dubious at first listening to the pre-order tracks but my god was I wrong.

Black Breath "Slaves Beyond Death" - Wow! Two contenders for album of the year bought in the same week.  Black Breath fucking rule and despite everyone on the internet remarking how they have dropped their hardcore influences I still hear it throughout this album although their progression on this album is obvious and memorable.

Terminal Sound System "Last Night I Dreamed Of Armageddon" - a nice subtle ambient release that soothed me through all the project admin I had to do this week at the hotel most evenings.

Link to comment
Share on other sites

Vastum "Hole Below" - I am so satisfied by the experience of this album as a whole that I can literally go days without hearing anything else.  I was dubious at first listening to the pre-order tracks but my god was I wrong.

Black Breath "Slaves Beyond Death" - Wow! Two contenders for album of the year bought in the same week.  Black Breath fucking rule and despite everyone on the internet remarking how they have dropped their hardcore influences I still hear it throughout this album although their progression on this album is obvious and memorable.

Terminal Sound System "Last Night I Dreamed Of Armageddon" - a nice subtle ambient release that soothed me through all the project admin I had to do this week at the hotel most evenings.

I didn't think that the new Black Breath song that I heard sounded like it was on par with Sentenced to Life, but I haven't heard the rest. Also, I can't really call their sound "hardcore influenced", as they started out as hardcore and slowly added more death metal to their sound. On Sentenced to Life, they brought in a big Swedish death metal influence, but they were still at least 50% hardcore at that point. They may have continued their evolution, but I would have a hard time believing that they stripped hardcore from their sound altogether. Sent from my HTC One_M8 using Tapatalk
Link to comment
Share on other sites

Don't have three this week, but I've been coming back to Calvaiire's "Rigorisme" and "Forceps" a bunch lately. Dark hardcore, very much in the vein of Converge but without the metal influence. They've got a weird, jangly guitar tone that works really well for them, and they record live in the studio, which captures an awesome dark vibe.

Link to comment
Share on other sites

Grave Miasma - Odori Sepulcrorum

How do I even describe this? Just listen to it...NOW!!!

Ulcerate - Vermis

See comment above.

Portal - Outre

Weird, creepy, slightly unnerving Avant-Garde/Death Metal. Ties in nicely with the albums already mentioned if you ask me.

Agreed, all awesome albums. Sent from my HTC One_M8 using Tapatalk
Link to comment
Share on other sites

Serpents Lair "Circumambulating the Stillborn" - okay it has a stupid title but the record itself is great.  Well structured BM with some nice ritualistic vocals.

Death Fortress "Among the Ranks of the Unconquerable" - yep, stupid album name number two and although not as enjoyable as my first entry this week it has still kept me company well up in the cold moorlands of Cumbria nicely this week with its creeping thin guitar sound.

Swallowed "Lunarterial" - probably one of my favourite DM records from last year, doomy yet not afraid to blast also.  Hooray for Finland! 

Link to comment
Share on other sites

Darkthrone "Panzerfaust" - fast becoming my second favourite release of theirs this really does tick all the boxes for raw delivery and seeping darkness.

Bloodbath "Grand Morbid Funeral" - never heard any Bloodbath until yesterday and whilst it is nothing new it is very entertaining and I actually enjoy Holmes' delivery for once.

Seance "Fornever Laid To Rest" - since singling it out in the DM Top 100 thread I have listened to this most of the week.

Link to comment
Share on other sites

1 minute ago, MacabreEternal said:

Bloodbath "Grand Morbid Funeral" - never heard any Bloodbath until yesterday and whilst it is nothing new it is very entertaining and I actually enjoy Holmes' delivery for once.

I'm honestly a bit surprised that you dig his vocals there, they were the low point of the album for me. I love his growl on Gothic, and even the harsh vocals on the new PL sounded alright (though the album as a whole didn't interest me).

Link to comment
Share on other sites

Darkthrone "Panzerfaust" - fast becoming my second favourite release of theirs this really does tick all the boxes for raw delivery and seeping darkness.

Bloodbath "Grand Morbid Funeral" - never heard any Bloodbath until yesterday and whilst it is nothing new it is very entertaining and I actually enjoy Holmes' delivery for once.

Seance "Fornever Laid To Rest" - since singling it out in the DM Top 100 thread I have listened to this most of the week.

Panzerfaust easily beats out Under a Funeral Moon and Transylvanian Hunger IMO, I can't understand why it is so often shoved aside in favor of those two albums. I'm with FA on the new Bloodbath though, I think Nick sounds like shit on the recording, despite the music being better than Bloodbath's previous outing. He sounded better live, similar to how he sounds on the new PL. Much more of a morbid mid-ranged growl than the more low pitched roar he exhibited in early PL, and so very much better than that gruff constipated noise he tried to pass off as vocals on Grand Morbid Funeral.

Sent from my HTC One_M8 using Tapatalk

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...