SeanButler

Opeth’s first released single ropes in the listener with a deep chuggin’ opening riff. The riff resolves as any classic opeth riff would - on a level of pure genuity. Touches of old tracks subtly outline the structure of the song. This first taste of the song is grounded by a ripping solo from Fredrick. His playing on this particular track should not be overlooked. The immortal’s solo helped remind the listener that these musicians are the real fuckin’ deal. Whether you like widdly-woo playing or not, listening to the rest of the song would heed a skillful surprise to anyone. Mellowed out Martin Mendez turns this song into a parabola of emotion from the depths to the clouds. The Axe and Svalberg peak the song whilst keeping everyone tight. The “maximum overload” transition, as I feel it, segways beautifully into the true core of the song. Mikael and Fredrick’s fingerpicking immediately calms the listener, sending them somewhere… else. We fade into acoustic bliss as Mikael’s euphonious voice begins reminiscing of the past. It’s clear that Akerfledt is pouring his fully regenerated soul into the soundscape. Clear in each band member’s playing is a true immersion into the music. Mikael’s singing certainly instills that deep feeling into each of his band members. This in turn generates soulful playing from each and every member. Mikael’s lyrical delivery will most likely be a continuing theme throughout the album. Focusing on developing his voice into a staple (as if it isn't already) is another sign of a matured Mikael Akerfeldt. Isn’t this motive clear in recording tracks bilingually? If this track is simply a taste of In Cauda Venenum, it is safe to assume what the album’s impact will be. In Cauda Venenum will be a turning point not just for Opeth, but for an entire genre much the same as Blackwater Park did for the progressive metal scene. It is tough to put each of Opeth’s albums into a genre, but the dark progressiveness in this track is clear. Mikael is ready to leave his vision and mark in the world of progressive music. A genre that is riddled with legends. Luckily for Opeth, if the title “Heart in Hand” is a direct correlation to their expression of sonic emotion, then “In Cauda Venenum” will have much in store for all of us, as Mikael always puts equal effort into each tune. Don’t dismiss this album, I doubt it will be something to snuff at. It’s quite possible that I have delved too deep into this track. Maybe Opeth’s magic has to do with Mikael pumping out complex tunes in a few days. He could just be a genius artist after all. Whatever the case may be, keep an eye out for the poison in the tail, you never know what could happen.